ABOUT       WORKS       TEXT       PEDAGOGIES       CV

Performance adaption for the Irish Museum of Modern Art as part of the exhibition, Staying with the Trouble (2025) performance programme Terrapolis. Photograph by Pati Guimarães.
Performance adaption for the Irish Museum of Modern Art as part of the exhibition, Staying with the Trouble (2025) performance programme Terrapolis. Photograph by Pati Guimarães.
Performance adaption for the Irish Museum of Modern Art as part of the exhibition, Staying with the Trouble (2025) performance programme Terrapolis. Photograph by Pati Guimarães.
Performance adaption for the Irish Museum of Modern Art as part of the exhibition, Staying with the Trouble (2025) performance programme Terrapolis. Photograph by Pati Guimarães.
Performance adaption for the Irish Museum of Modern Art as part of the exhibition, Staying with the Trouble (2025) performance programme Terrapolis. Photograph by Pati Guimarães.
Performance adaption for the Irish Museum of Modern Art as part of the exhibition, Staying with the Trouble (2025) performance programme Terrapolis. Photograph by Pati Guimarães.
i’d rather be a fag than be your bird (2022)
Performance [20 minutes]
35mm slide projector, latex body suit, elbow bads, scaffolding



Negotiating public space as a queer-gender-bender, the word ‘fag’ is often directed towards me. A single syllable which (un)marks my identity all in one brief breath. The initial (un)marking stems from ‘fag’ being directed towards me by a stranger in a bid to mark me as Other. Normally declared by a white cis heterosexual man, it becomes evident that he has wrongly read me as a cis gay man. Soon after this, there is a brief buffer; a moment where he recognises his own misrecognition. This acts as a catalyst resulting in two possible outcomes: regret or violence. However, it is during this short buffer of uncertainty—10 seconds or so, where I am socially perceived as something Other than a fag—that the F found on my birth cert, passport, driver licence, medical card, and cacophony of institutional State documents which wrongly conflate sex with gender, becomes eradicated. Then, this 10-second buffer ends and the misrecognition becomes apparent. A gasp followed by the declaration: “HE’S A BIRD!” And it was my response to this oxymoronic statement that prompted the title of this work:

“i’d rather be a fag than be your bird.”

i’d rather be a fag than be your bird (2022) is a live reading with an array of 35mm slides which uses image description and direct quotes that document the shifting, expanding and rupturing ways that trans, non-binary and gender non-confirming people reclaim social perceptions whilst navigating the public sphere. Disrupting the discrepancies in essentialist theories of gender, i’d rather be a fag than be your bird socially critiques the dichotomised structure of Otherness in a heteronormative society. Transgressing beyond ‘Other’ as another tick-box option to choose from, this body of work calls for the abolishment of colonial and capitalist coercive mechanisms of segregation.




i’d rather be a fag than be your bird was commissioned by ]performance s p a c e[. The first iteration of this work was performed whilst lounging on a pile of plush velvet pew cushions in St Eanswythe’s Church, Folkestone in April 2022 for ]performance s p a c e[ day of performance: TIDINGS. The work has since travelled to events such as TRANSFAG: a Celebration and a Manifesto at Fringe! Queer Film & Arts Fest in London and reperformed at the Irish Museum of Modern Art as part of the exhibition, Staying with the Trouble (2025) performance programme Terrapolis.

i’d rather be a fag than be your bird was acquired by the Irish Arts Council and added to their Collection in 2022.